{"id":2622,"date":"2012-11-13T10:13:00","date_gmt":"2012-11-13T10:13:00","guid":{"rendered":""},"modified":"2022-06-30T11:39:27","modified_gmt":"2022-06-30T11:39:27","slug":"email-del-13-de-noviembre-2012","status":"publish","type":"post","link":"https:\/\/eldespotricadoranhedonico.es\/index.php\/2012\/11\/13\/email-del-13-de-noviembre-2012\/","title":{"rendered":"Email del 13 de noviembre 2012"},"content":{"rendered":"<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-GIP32m5L61Q\/UKIq-075BNI\/AAAAAAAAF4E\/kYfk_b2Phy8\/s1600\/Arthur-Clifton-Goodwin-xx-The-Barnstormer-Old-South-Theater-Boston-1918.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"323\" src=\"https:\/\/i0.wp.com\/eldespotricadoranhedonico.es\/wp-content\/uploads\/2012\/11\/Arthur-Clifton-Goodwin-xx-The-Barnstormer-Old-South-Theater-Boston-1918.jpg?resize=400%2C323&#038;ssl=1\" class=\"wp-image-2623\" width=\"400\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\"><span style=\"font-size: xx-small;\"><span style=\"color: #222222; font-family: &quot;arial&quot; , sans-serif; text-align: start;\">Arthur Clifton-Goodwin,&nbsp;<\/span><i style=\"color: #222222; font-family: arial, sans-serif; text-align: start;\">The Barnstormer Old South Theater Boston<\/i><span style=\"color: #222222; font-family: &quot;arial&quot; , sans-serif; text-align: start;\">. 1918<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Querida:<\/p>\n<p>A veces, mientras contemplo mi actuaci\u00f3n en el inmenso escenario que amuebla la existencia, no puedo dejar de exteriorizar una sonrisa burlona, m\u00e1s parecida a una mueca de dolor que a una manifestaci\u00f3n de j\u00fabilo. Aunque conozco de memoria el papel, continuamente pienso en el tercer y \u00faltimo acto, repleto de figurantes sin frases, sin una interacci\u00f3n especial dentro de la acci\u00f3n secundaria y que parecen creados \u00fanicamente para justificar mi absoluta indigencia emocional. Pero mientras las bambalinas que cuelgan en segundo plano se mecen movidas por los deseos equivocados de sus actores principales, una especie de resentimiento impuro permanece aletargado y atrincherado en una esquina silenciosa fuera del proscenio. \u00a1A veces pienso que hay una fuerza superior que impide que se deslice el tel\u00f3n! Puedo sentir el cansancio del p\u00fablico, sodomizado por las parrafadas de un guion previsible, redactado a toda prisa dentro de un conjunto escenogr\u00e1ficamente mediocre y adquirido a precio de saldo a alg\u00fan traficante de utiler\u00eda sin escr\u00fapulos. Pero no puedo hacer nada; si de m\u00ed dependiera devolver\u00eda el precio pagado por cada una de las entradas vendidas, con los intereses grabados con sal de l\u00e1grimas en el reverso.<\/p>\n<p>El cansancio y el aburrimiento me rodean como una alambrada en un muro. Distingo cada uno de los movimientos que intento, pero soy incapaz de desarrollar una continuidad que los transforme en provechosos. Generalmente recojo los pedazos y los guardo en un caj\u00f3n con el vano pretexto de reconstruirlos, pero \u00bfc\u00f3mo voy a ser capaz de recomponer algo que me ha sido impuesto? Estoy rodeado de sombras dispersas, distra\u00eddas y ausentes. Estoy\u2026 por lo menos eso es lo que parece.<\/p>\n<p>\nUn abrazo.<\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arthur Clifton-Goodwin,&nbsp;The Barnstormer Old South Theater Boston. 1918 Querida: A veces, mientras contemplo mi actuaci\u00f3n en el inmenso escenario que amuebla la existencia, no puedo dejar de exteriorizar una sonrisa burlona, m\u00e1s parecida a una mueca de dolor que a una manifestaci\u00f3n de j\u00fabilo. Aunque conozco de memoria el papel, continuamente pienso en el tercer [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2623,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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