{"id":280,"date":"2021-12-03T17:39:00","date_gmt":"2021-12-03T17:39:00","guid":{"rendered":""},"modified":"2022-06-30T11:26:04","modified_gmt":"2022-06-30T11:26:04","slug":"email-del-3-de-diciembre-2021","status":"publish","type":"post","link":"https:\/\/eldespotricadoranhedonico.es\/index.php\/2021\/12\/03\/email-del-3-de-diciembre-2021\/","title":{"rendered":"Email del 3 de diciembre 2021"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-Upeb1xXUHDU\/YapUmS0kpzI\/AAAAAAAAvwI\/t4YA4DEGtrQsO9gRGt-60aitMjBNchDkgCNcBGAsYHQ\/s970\/b0f391ba8dfb39770cf974c9cc364035.jpg?ssl=1\" style=\"margin-left: auto; margin-right: auto;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"768\" data-original-width=\"970\" height=\"316\" src=\"https:\/\/i0.wp.com\/eldespotricadoranhedonico.es\/wp-content\/uploads\/2021\/12\/b0f391ba8dfb39770cf974c9cc364035.jpg?resize=400%2C316&#038;ssl=1\" class=\"wp-image-281\" width=\"400\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\"><span style=\"font-size: xx-small;\">Constantin Brancusi. <i>Sculpture for the blind <\/i>(1916)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n<p>De entre todos los objetos inamovibles que atesoro en mi habitaci\u00f3n, destaca una gran e informe figura de alabastro de Gelsa, que seg\u00fan su autor no representa absolutamente nada. Obviamente hay una considerable diferencia entre no representar absolutamente nada y representar la nada absoluta. \u00a1O puede que no! Algunos de mis amigos est\u00e1n convencidos de que en realidad el autor soy yo y que me he inventado esa patra\u00f1a porque la escultura es francamente horrenda. Otros simplemente deducen que es la imagen de un huevo de ave rock escalfado. Sea lo que fuere, esa despampanante talla es lo primero que veo cada ma\u00f1ana cuando me despierto, y lo \u00faltimo cuando me acuesto. En ocasiones tambi\u00e9n la miro cuando la pr\u00f3stata me joroba y me obliga a levantarme a mear en mitad de la noche o cuando me acuesto borracho y cantando <i>Viva mi Sevilla<\/i> a las tantas.&nbsp;<\/p>\n<p>Y me encontraba mir\u00e1ndola de una manera enfermiza cuando escrib\u00ed ese cuento sobre las criaturas misteriosas y las fuerzas improbables que comenzaba m\u00e1s o menos, y cito de memoria, \u00ab<i>Era un \u00e1rbol de mediano tama\u00f1o. En la mitad superior dorm\u00edan varias familias de gorriones. Sin embargo la mitad inferior siempre estaba vac\u00eda porque por las noches se llenaba de gatos. A los felinos les gustaban los muslitos de los \u00abPasser\u00bb y al mismo tiempo se pon\u00edan fuera de peligro, pues cinco perros viciosos que se alimentaban exclusivamente de mininos hac\u00edan guardia hasta la salida del sol. Un d\u00eda el astro rey se retras\u00f3 y la oscuridad dur\u00f3 varias horas m\u00e1s. Los gorriones no comprend\u00edan qu\u00e9 era lo que suced\u00eda. A los gatos en realidad les daba todo absolutamente igual y los perros no quer\u00edan meterse en disquisiciones complejas e interminables<\/i>\u00bb.&nbsp;&nbsp;<\/p>\n<p>Aunque algunos est\u00e9n completamente convencidos, no, no miraba la escultura el d\u00eda en que alguien rob\u00f3 el estetoscopio al doctor R unos pocos minutos despu\u00e9s de que me auscultara. Tampoco la miraba cuando comuniqu\u00e9 por tel\u00e9fono a M que estaba pensando seriamente en poner su nombre a un retortij\u00f3n. Ni siquiera cuando invent\u00e9 el vocablo \u00abenjabonamulas\u00bb, m\u00e1s tarde adoptado por todos los escritores campestres, rurales o pastoriles. No obstante, aunque no estoy del todo seguro, creo que s\u00ed la observ\u00e9 detenidamente cuando me comunicaron por medio de un email que mi texto <i>Teor\u00eda general de la puta mierda<\/i> acababa de ser galardonado con uno de los 70 acc\u00e9sits de consolaci\u00f3n en el prestigioso concurso literario organizado por un bibliof\u00f3bico.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Constantin Brancusi. Sculpture for the blind (1916) De entre todos los objetos inamovibles que atesoro en mi habitaci\u00f3n, destaca una gran e informe figura de alabastro de Gelsa, que seg\u00fan su autor no representa absolutamente nada. Obviamente hay una considerable diferencia entre no representar absolutamente nada y representar la nada absoluta. \u00a1O puede que [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":281,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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